I just finished up a four day stand at Blues Central, where the only bass I took was this new Squire. I thought I'd share my observations.
I've never been a 'Jazz' guy; always played P's. I've owned three other Jazz basses; one was a 70's lefty that I kind of stoled from a pawn shop that got traded for a P pretty quickly. One was an AmStandard 6 string, and we never got along. The last was a MIM that tkarter decided to give away one night, and I happen to be on line. I donated that one to the local High School, where the new music teacher has been resurecting a wallowing program with the inclusion of "Rock Combo" classes.
So this is the first Jazz I've really packed to a gig. The only mods I made were to add a Hipshot Extender, and put a set of light nickel rounds on it.
Fit and finish are impressive for an Indonesian bass. Tight neck pocket, and all the hardware seems solid. The Duncan Design pickups are good, running from a nice tight burpy sound to a good deep growl. The body is light and attractive, though Agathis doesn't have much of a grain to display. The Ebonal fingerboard feels smooth and sturdy.
Downsides are typical; rough taper on the volume pots, Jazz-like noise when one pickup is louder than the other, and convex shafts on the tuners where the string wraps ( I hate that!).
On the gig, the bass played great, once I got used to having two volumes instead of one. I played through a BBE pre-amp (I think), with an Ampeg power amp, through a four ten (Carlsbad?). Sorry I didn't pay more attention to gear; as long as it makes the noises I want it to, I usually try to ignore it!
One adjustment I made had to do with string width at the bridge; the G seemed a little too close to the D, and it wasn't centered on the pole pieces, so I stuck a heavy pick between the barrels on the bridge, and it felt perfect. I might switch to a 'vintage' style bridge with the threaded barrels to correct it.
The pther thing that felt odd was the lack of a pickguard made slapping feel a little foreign (well, more foreign, for me at least). Just something to get used to.
The bottom line is that for $300, this bass is a hell of a deal. I enjoyed playing it, the boss liked the sound, and when the airline decided I needed to gate check my gig bag on the way home, I was glad I wasn't carrying one of my vintage Fenders.
If you're contemplating making the fretless leap (and you should!), I heartily recommend this bass. I can see that mine is going to get some serious road time!
